Column: Reluctant reviewer reflects on critical years
I never wanted to be a monster. I never really wanted to be a reviewer.
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I never wanted to be a monster. I never really wanted to be a reviewer.
“Kumiko, the Treasure Hunter” is a love letter to many things.
It is never a good sign when any script contains five different names under the writing credits.
CNM has a brand new theater and Madrid’s production is some of the first plays to be produced there. And the $5 ticket price is particularly enticing.
Disney is one of the six corporations who control 90 percent of American media. Disney owns ABC, ESPN, Pixar, Miramax, Lucasfilm and Marvel Entertainment.
On Sunday, the 87th Academy Awards rained down their judgment on all moviedom for 2014.
It’s a contentious stance, but I like Nic Cage.
The Revolutions International Theatre Festival is a whole lot of theater.
A problem that has plagued me for much of life is the inherent selfishness of making art.
Divergent art is important, especially since you don’t have to like it.
I think I’m mostly sad that I didn’t like “Interstellar.”
With the Thanksgiving weekend arriving soon, you may need a little help with Netflix “Video Store Killer†Inc. to get you through the duller bits of the holiday.
So I walked out in the middle of “One-Act Science Comedic Showcase” at Explora.
Albuquerque is really testing how much I like “A Midsummer Night’s Dream.”
It’s easy to tell just by walking in that something different is happening in the theater space at Working Classroom.
By Graham Gentz
Editor’s note: The writer portrayed a zombie at “Quarantine: Collapse,” an interactive haunted house in Albuquerque. This is a fictitious account.
Alfred Hitchcock once famously said, “Drama is life with the dull parts left out.”
I recently picked up the 1966 movie “Harper” from a bargain bin somewhere, on the logic that if it had Paul Newman in it, it would probably be good.
A horror story about marriage? Tell me something I don’t know.