REVIEW: ‘Obvious Child’ brings abortion to the rom-com

Gillian Robespierre’s 2014 romantic comedy “Obvious Child” seamlessly portrays the difficult realities of young adult life, complete with heartbreak, job instability and unplanned pregnancy. “Obvious Child,” with its frank discussion of abortion and reproductive rights, earns a solid place alongside other romantic comedies like Michael Showalter’s 2017 film “The Big Sick,” handling serious issues with heart, thought and care, while remaining funny and alive all the while.

REVIEW: ‘Unpregnant’ falls flat in its own Storyline

Rachel Lee Goldenberg’s “Unpregnant,” released in September 2020 on HBO Max, follows a newly pregnant 17-year-old Veronica (Haley Lu Richardson) and her ex-best friend Bailey (Barbie Ferreira), as they travel across the country from Missouri to Albuquerque, New Mexico. The duo’s aim is for Veronica to get an abortion without parental consent. The film entertains, but ultimately falls flat both in cohesion of storyline and in making a statement on abortion.

This film could have benefited from being a miniseries — six episodes rather than a feature-length film. Perhaps an expanded version of the story could’ve better explored the emotional depths of Veronica's decision. The events in “Unpregnant,” however, unfold episodically instead of flowing into one another.

REVIEW: Going bananas for ‘Minions: The Rise of Gru’

Minions have found themselves to be the sources of great civil unrest since their introduction to cinema in 2010 with the release of the first film in the “Despicable Me” franchise. These peanut-esque beings have been shamed and disgraced for little reason since their introduction to the public, but with the release of the latest despicable installation, have risen to great distinction: on July 1, “Minions: The Rise of Gru” released in the United States, already becoming one of the highest-grossing films of the year.

Finally, we’re going bananas for minions, rather than rising against them.

REVIEW: ‘Hellfire’ burns fast and bright

When black midi first burst onto the music scene with their debut single “bmbmbm” in 2018, it was clear they were a band to watch. Their subsequent albums “Schlagenheim” and “Cavalcade,” released in 2019 and 2021 respectively, were met with universal critical acclaim, further cementing black midi’s place among some of the top bands working today. On July 15, 2022, black midi returned with “Hellfire,” an album that strangely feels like the best introduction to the band with its clear sense of identity and superb musicianship.

While black midi typically gets grouped in with the other bands out of England making waves in the post-punk scene like Dry Cleaning and Black Country, New Road, they stand out from the crowd with a heavy progessive rock influence not present in other acts. It makes midi’s music incredibly unique, but also difficult to approach.

Baz Luhrmann’s ‘Elvis’ ain’t nothing but a hound dog

Baz Luhrmann’s “Elvis,” with its overwrought style beyond substance, is the cinematic equivalent of eating all of your leftover Halloween candy in one night and waking up sick the next morning. An enjoyable ride with sweet flavorings to boot, it’s too eager in its undertakings and leaves you staggered and slightly sick.

With a hubristic two-hour, 39-minute runtime that challenges even the most ardent supporters of the hyper-stylistic director, “Elvis” fails to shine beyond spectacle in its portrayal of the relationship between the iconic rock-and-roller and his infamously manipulative manager. 

5 and Why: 5 recommendations for summer reads

Summer break is a good opportunity to enjoy good reads outside of an academic environment. University of New Mexico junior Julia Langeway, a circulation assistant at Zimmerman Library student studying English and art history, sat down with the Daily Lobo to share five of her favorite books.