Despite prolific reports of poor mental health amid the COVID-19 pandemic, the University of New Mexico maintains a limited position on the issue. Considering the generational emphasis on mental health advocacy, the question remains as to why students suffering with poor mental health continue to struggle alone.

UNM claims to offer support via Student Health and Counseling and, while in theory that provision is helpful, if you can manage even to have your phone call picked up, the likelihood that you’ll get an appointment scheduled by season’s end is slim to none. Amid a pandemic, these resources are needed more than ever.

The support systems that SHAC provides wouldn’t be enough, though, even if fully functional. 


At this point in the semester, extreme stress and burnout are incredibly common, and it’s more than okay to ask for help. Here’s a list of my favorite campus resources at the University of New Mexico that you should look into if you’re in need of assistance.

Agora Crisis Center

Payment: Free

The Agora Crisis Center offers several free services including but not limited to helpline, online emotional support chat and information on how to help yourself and others.

After meeting a few of the volunteers at Agora, I can confidently say that they are committed to helping others in every way they can. The center itself is small but it’s so clearly full of people who care about people.


“Eternals,” the third film installment in Marvel’s phase four, recently came to theaters and marked a nice change in the studio’s traditional releases. Going into “Eternals,” I was feeling apprehensive due to the poor critic ratings, but the film’s diverse cast and engaging plot signaled a new and better era for Marvel.

The film follows a group of eight extraterrestrial beings known as the Eternals, lead by Gemma Chan as Sersi. Each has their own unique powers, who have sworn to protect the Earth from the Deviants (alien monsters who are trying to eat all of human life).

OPINION: ‘Red (Taylor’s Version)’ exceeds soaring expectations


Taylor Swift has been teasing the release of her second re-recorded album, “Red (Taylor’s Version)” for months. On Nov. 12, the 30-song collection finally arrived, and it’s everything that I could’ve hoped for. What makes the album unique from the original are the exquisite “From the Vault” tracks — songs Swift had written for the first version of “Red” but ultimately had to chop when piecing together the final cut.

Swift’s first rerecording venture was April 2021’s “Fearless (Taylor’s Version),” and there were really only two vault tracks that I continue to listen to. However, “Red (Taylor’s Version)” has several vault tracks worthy of repeat button notoriety, including the ten minute version of fan favorite “All Too Well.”

REVIEW: ‘The Harder They Fall’ stumbles on gold


“The Harder They Fall” is a striking western drama featuring a vast and talented cast that was filmed in Santa Fe. This extravagant tale of the Wild West is well worth a watch. While the film is classic in structure, it’s expertly executed with exciting new twists.

Co-written and solely directed by Jeymes Samuel, “The Harder They Fall” packs a punch. At first it seems to revel in its own melodrama, but over the course of 139 minutes, it blossoms into an original tragic story of the cyclical nature of violence and vengeance. 

REVIEW: ‘Antlers’ is no fawn


If you’re looking for a 100-minute long disappointment, a ticket to see “Antlers” is the way to go. From the underwhelming acting of Keri Russell (Julia Weaver) and Jesse Plemons (Paul Weaver) to the excessive gore and misguided use of Native stories, this movie is a bust if there ever was one.

Directed by Scott Cooper and produced by Guillermo del Toro, “Antlers” is a horror-drama about drug use and the Native legend of the Wendigo from the perspectives of a child and his teacher. This film attempts to draw parallels between addicts and monsters, but fails miserably in every way. 

REVIEW: ‘Spencer’ beautifully tells a story we already know


This review contains spoilers

The problems that I had with Pablo Larraín’s “Spencer,” the new Princess Diana biopic that was released today, walked into the theater with me. I suppose I was expecting a new vision of Diana Spencer or perhaps something that would comment more on the society that made her so beloved and so controversial. While I may have been disappointed by what Larraín chose not to do, what he does choose to do does fabulously well.

This movie is the type of biopic that presents a short, highly consequential moment in the life of its subject, much like Larraín’s 2016 film “Jackie,” which chronicled a pivotal moment in Jackie Kennedy’s life.

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