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The Setonian
Culture

Talks aim to inspire in 'dark times'

Building a resilient society is difficult for any community, but the Albuquerque Cultural Conference is finding ways to make society better. This year’s theme is “Crisis, Community and Performance: Building a Resilient Society,” and it will be held Sept.




The Setonian
Culture

Makeshift studio makes big splash

A new production company is in town, and they’ve got the basement all ready for you. Firehydrant Records was founded last year by local music fan Sean Smock with help from The Big Spank singer/guitarist Mike Garcia.


	An old German print machine sits idle at the Tamarind Institute located at the corner of Central Avenue and Stanford Drive. The Institute will soon celebrate its 50th anniversary at its state-of-the-art facility.
Culture

Printmaking gets good press

Across from Johnson Center, one can observe a process that can only be seen at few places around the world. That little-known process? Lithography, a craft that involves the chemical process of transferring a printed image to a metal plate, is taught at the Tamarind Institute, a renowned school for print-making.





The Setonian
Culture

Discover fine ABQ theaters

“Theater is always dying,” said Pulitzer prize winning playwright David Mamet. In Albuquerque, this seems to exist as a perpetual freefall in orbit of the final death, which is, perhaps, why theater people find the whole thing so appealing. Those of a UNM persuasion can possibly find such things immediately.





The Setonian
Culture

Film fest teaches entertains

From page to screen to audience, the Albuquerque Film Festival covers it all. Running from August 25-29, the local fiesta consists of movie screenings, music, panels and other events held throughout the city. Rich Henrich, founder and executive director of Film4Change, the nonprofit organization presenting the festival, is the man running the show behind the scenes.


	Jessie Hudson, a painter who is finishing up her fourth year majoring in studio art, watches the patrons of Winning’s Coffee Co. in front of one of her paintings. See page  14.
Culture

Artist Ave: Jessie Hudson

Jessie Hudson is, by her own admission, obsessed with jellyfish. Hudson, a senior majoring in studio art, paints the creatures in a variety of styles, ranging from oil painting to comic-book-style printmaking.


The Setonian
Culture

Adulterous play entertains despite fire alarm

“Same Time, Next Year” by Bernard Slade is a different, feel-good kind of adultery.  The set and premise are simple: A man and woman meet in a Californian seaside cottage for extramarital sex and conversation one day a year for 24 years.  The play is split into two acts, each consisting of three scenes, and each scene takes place about five years apart.




	Musician Sam Irons interacts with an unsuspecting pedestrian in his own way. Irons’ crass behavior is nothing unusual, as he frequently emphasizes vulgarity as a theme in his music.
Culture

Artist's Avenue: Sam Irons

Sam Irons is Albuquerque’s foul-mouthed acoustic act. His song titles include, “I Want to Hate F**k Your C**t,” “In Case You Die (I Hope You Get Pinkeye)” and the “F**k You Song,” all of which polarize the audience in any venue instantly he said.


	This installation sits south of George Pearl Hall and is part of a Digital Analog Productions class through the Architecture Program. The installation features two layers, an outer more modern shape (shown) and an inner more organic (inside shown).
Culture

Luminous piece draws passersby

Digital Analog Production, the class that built the hanging pods late last spring near the Duck Pond, is back with a project that lights up Central Avenue at night. The installation, called “Oculus: 35,” is located in the south courtyard of the architecture building facing Central Avenue.

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