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John Scott / Daily Lobo / @JohnSnott


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Culture

REVIEW: ‘Dawn Breaks Behind the Eyes’ is a visually appealing, ego-boosting slog

The film industry loves to make movies about the film industry and “Dawn Breaks Behind the Eyes” from Austrian/Sri Lankan director Kevin Kopacka, is one of the newest films to join this long tradition after its release in the U.S. on June 24. The Guild Cinema luckily only had a one-night screening of the film so hopefully no one else — save for the poor unfortunate souls in the movie house on Saturday, July 9 — will have to subject themselves to this bore of a watch. “Dawn” starts out following a couple, Dieter (Fredrick von Lüttichau) and Margot (Luisa Taraz), as they explore a possibly abandoned castle inherited by Margot from some dead family member; I say possibly because, at most points, the film can’t decide if the castle is truly abandoned or not. It would seem so, based on its decrepit and dilapidated state, but the couple spends the night there in a bed with some suspiciously nice white sheets — however, this is only a minor annoyance in a film as annoying as a crying child in a restaurant, although far less forgivable.

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Culture

REVIEW: ‘House of Gucci’: Ridley Scott’s latest is anything but chic

  This review contains spoilers Upon the release of the first photos of Adam Driver and Lady Gaga as Maurizio Gucci and Patrizia Reggiani, to say expectations for “House of Gucci” were high would be an understatement. With a cast like that and legendary director Ridley Scott at the helm, it seemed like a Hollywood dream come true.  That is, of course, until you watch it and you slowly realize that an all-star cast, a big budget and a beloved director will not save you from creating something that is utterly lifeless and entirely boring.  The film mainly follows Patrizia and Maurizio as they ascend the ranks of the Gucci empire, ultimately culminating in their separation and Maurizio’s inevitable assassination at the hands of a hit man hired by Patrizia. 

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