Skip to Content, Navigation, or Footer.
The Daily Lobo The Independent Voice of UNM since 1895
Latest Issue
Read our print edition on Issuu


Juli Hendren Feature

UNM professor traverses borders through movement

UNM instructor and alumnus Juli Hendren has recently returned to the United States after a trip to Krakow, Poland in which she worked with Ukrainian refugees to stage a performance telling stories of life in crisis and finding identity outside of home. Early in her theatrical career, Hendren made connections with experimental producers and directors involved with theater movements in Eastern Europe and Poland specifically, which first drew Hendren toward the community. Through this, she also became interested in physical theater, which prioritizes the use of movement to tell stories. She is especially drawn to the visceral and unknown nature of allowing the body to lead the performance.

Friday Night Live

SUB comes alive for Friday Night Live

On Friday, Aug. 19, Lobos flooded the Student Union Building at the University of New Mexico for Friday Night Live, a one-night activity event kicking off Welcome Back Days. Laser tag, casino games and free food were just a few of the highlights from the late-night caper. This event was only the first in a series of events called Welcome Back Days, aimed at welcoming students back to campus after summer break — other planned events include the Class Crawl, Movie on the Field, President’s Ice Cream Social and UNM Communities Day.

Bodies Bodies Bodies.jpg

REVIEW: ‘Bodies Bodies Bodies’ stacks up the schlock in satirical slasher

This review contains spoilers A24’s new satirical slasher “Bodies Bodies Bodies,” directed by dutch actress Halina Reijn, seemed awful by the first trailer — a typical thriller told through the gimmick of influencer culture. To my pleasant surprise, the actual movie offered up a strong visual identity, intelligent humor and a passable story to tide audiences wary of hearing the same generational jokes we’ve heard thousands of times before. Though still gimmicky, and in many ways unoriginal, “Bodies Bodies Bodies” is an entertaining and aesthetic ride.

Florist Concert

REVIEW: Florist brings unique and inviting melodies to Meow Wolf

Last Tuesday night, Brooklyn-based indie folk band Florist performed at Meow Wolf in Santa Fe. The band's mellow and peaceful sound, created by mixing collected ambient noises and music, made for a lovely and unique concert. The show's runtime, while short, did not disappoint in the slightest. The performance was cohesive, showing off the band’s collective strength as one entity, allowing the instrumentals, vocals and other sounds to support and aid one another rather than compete for prominence. The openers Marc Merza and Diatom Deli likewise put on captivating performances — especially Taos artist Deli, whose visuals corresponding with her performance were entrancing and gorgeous.

Where the Crawdads Sing.jpg

REVIEW: ‘Where the Crawdads Sing’ is not your (craw)dad’s kind of movie

Released in the U.S. on July 15, 2022, “Where the Crawdads Sing” neatly repackages Delia Owens’ bestselling coming-of-age mystery of the same name. The film entices audiences from the start with skillful performances and fine contemplative visuals that compliment the nuanced story. From the outset, the film will certainly keep you on the edge of your seat, even if you know the ending well, which harbors a delightful twist. There’s no imbalance between the coming-of-age and murder mystery aspects of the film — these two sides of the story intertwine and firmly pose the question of if and when murder may be justified.

Spectra Gallery.jpg

Anna Westfall’s ”Bright Field” places identity under the microscope

On Monday, Aug. 1, artist and associate professor Anna Westfall’s “Bright Field” installation opened at the Spectra Gallery housed in the University of New Mexico Honors College. Westfall is an associate professor at Eastern Mennonite University, as well as a Master of Fine Arts recipient from the University of New Mexico. Prior to this, she has exhibited her work in Virginia, Georgia, Washington D.C., Massachusetts and New Mexico. “Bright Field” is a series of ceramic sculptures arranged in a radiating formation from the center wire piece. Each form was either thrown on a pottery wheel with added handmade additions or was entirely handmade, according to Westfall.

connect with frinds and family.jpg

OPINION: Staying connected with friends and family while at school

As I enter my sophomore year at the University of New Mexico, I, like many others, am coming out of a summer filled with friends and family that I haven’t seen since January. Now that school is starting, I am getting ready to say goodbye to them for the next few months. However, if my first year taught me anything (it certainly didn’t teach me statistics), there are plenty of ways to keep in touch with those you aren’t going to see for a few months.


B.J. Novak’s ‘Vengeance’ showcases humorous, realistic view of rural Southwest

With the release of his first feature “Vengeance,” a comedy-thriller filmed in New Mexico and Texas, B.J. Novak got the rural southwest right. “Vengeance” is a passable yet promising first feature, showing a smart eye for dialogue, character and story that should only improve as the writer/director/actor continues his career. “Vengeance” follows shallow New Yorker Ben Manalowitz (Novak) as he attempts to turn the death of a former hookup into the next hit true crime podcast, following her family in their quest for vengeance in what seems like an open-and-shut case. In the process, he bonds with the family and Texas itself.

Obvious Child.jpg

REVIEW: ‘Obvious Child’ brings abortion to the rom-com

Gillian Robespierre’s 2014 romantic comedy “Obvious Child” seamlessly portrays the difficult realities of young adult life, complete with heartbreak, job instability and unplanned pregnancy. “Obvious Child,” with its frank discussion of abortion and reproductive rights, earns a solid place alongside other romantic comedies like Michael Showalter’s 2017 film “The Big Sick,” handling serious issues with heart, thought and care, while remaining funny and alive all the while.


REVIEW: ‘Unpregnant’ falls flat in its own Storyline

Rachel Lee Goldenberg’s “Unpregnant,” released in September 2020 on HBO Max, follows a newly pregnant 17-year-old Veronica (Haley Lu Richardson) and her ex-best friend Bailey (Barbie Ferreira), as they travel across the country from Missouri to Albuquerque, New Mexico. The duo’s aim is for Veronica to get an abortion without parental consent. The film entertains, but ultimately falls flat both in cohesion of storyline and in making a statement on abortion. This film could have benefited from being a miniseries — six episodes rather than a feature-length film. Perhaps an expanded version of the story could’ve better explored the emotional depths of Veronica's decision. The events in “Unpregnant,” however, unfold episodically instead of flowing into one another.


Local creatives meld tradition and modernity with independent magazine

With their latest issue hot-off-the-presses —released this July — local magazine Iconica is set to continue on in their celebration of fashion, arts and culture. The magazine strives to blend modern art with the local culture of New Mexico while working to connect artists across the state with their next big opportunity. “My vision for Iconica is to be a hallmark of what it means to be New Mexican in a sense of, I think we’re really known for older traditions, and I would like it to be a balance of bringing that modern talent in with our history and it just being a focal point for all of the amazing talent we have here in a very high-end way,” Natassja Santistevan, creative director for Iconica, said.

Sierra Martinez.jpg

New Conceptions editor-in-chief plans bold strides for prestigious magazine

On April 23, the University of New Mexico Student Publications Board selected senior Sierra Martinez as the new editor-in-chief of literary arts magazine Conceptions Southwest. Martinez brings editorial experience, refined taste and a bold vision for the future to the historic magazine. Beginning in 1978, Conceptions Southwest is UNM’s premiere annual fine arts and literature magazine that accepts submissions from all members of the UNM community, including undergraduate and graduate students, faculty, staff and alumni. Conceptions takes submissions in poetry, short fiction, creative nonfiction, visual art, photography and open media, an open-ended category that ranges from short films to sculptures — anything otherwise difficult to publish.

Zara Roy Limina Editor Profile.jpg

Zara Roy selected as new editor-in-chief for Limina: UNM Nonfiction Review

Zara Roy has been hard at work preparing Limina: UNM Nonfiction Review for the new semester since her selection as editor-in-chief for the magazine’s upcoming 35th edition. An incoming junior studying psychology and theatre, Roy brings over three years of editorial experience to the role, which she looks forward to taking on amongst her other responsibilities. Limina: UNM Nonfiction Review is an annual nonfiction publication that accepts submissions from undergraduate and graduate students alike, including academic essays, memoirs, photo essays, research papers and journalistic stories. Previously known as “Best Student Essays,” Limina changed names in 2020 to better reflect their content, which they view as transformative for students and readers.

Abortion and reproductive health in NM and at UNM.jpg

UNM offers support to students after overturning of Roe v. Wade

Since the United States Supreme Court overturned Roe v. Wade on June 24, women and people with uteruses have faced uncertainty across the nation. Since the ruling, 44 states have banned abortion after a certain point in pregnancy, with 17 banning it entirely. For New Mexico, abortion is still legal at any stage of pregnancy. Resource centers from the University of New Mexico such as the Women’s Resource Center and the Division for Equity and Inclusion stated their support for people affected all over the country and UNM students in particular. 

Woman's Resource Center Highlight.jpg

Women’s Resource Center provides support, advocacy

Since its inception, the Women’s Resource Center at the University of New Mexico has worked tirelessly to create a space that makes individuals feel less alone on the busy UNM campus and continues to adapt to the needs of all students. The WRC prides itself on accessibility and inclusion, in addition to continuously evolving to better serve UNM students. One of the most well-known and unique services provided by the center is confidential advocacy, according to Michelle Dugan, a campus advocate at the WRC.

WTF Bike clincs .jpg

Female-driven bike workshop kicks into gear

With summer still in session and the weather ripe for cycling, the University of New Mexico has kicked off a series of bicycle maintenance workshops specifically targeted towards women, trans and nonbinary people, and allies. The goal is to create a comfortable space for femme people to learn the mechanics of their bike. The free program, which takes place at the UNM Outdoor Adventure Center, runs from 5-7 p.m. every Tuesday and Wednesday from July 13 to Aug. 14. The unique workshops cover a variety of different aspects of bicycle mechanics over the course of a month.


Immersive opera ‘La Malinche: Traitor | Savior’ opens at Albuquerque Museum

The opera “La Malinche: Traitor | Savior” by composer Nathan Felix, premiered July 21 at the Albuquerque Museum, exploring the journey, influence and legacy of historical figure La Malinche and her involvement in the Spanish conquest of Mexico. The opera, commissioned by the Albuquerque Museum, coincides with an exhibit currently showing, “Traitor, Survivor, Icon: The Legacy of La Malinche,” which showcases works of art surrounding the iconic figure. La Malinche, whose real name has been lost over time, was gifted to Spanish conquistador Hernán Cortés in 1519. Due to La Malinche being fluent in Nahuatl and Maya, two of the languages spoken in the Aztec Empire, she became Cortés’ translator. Eventually, La Malinche would go on to mother Cortés’ child, according to the Albuquerque Museum.

Powered by SNworks Solutions by The State News
All Content © 2024 The Daily Lobo