“We’re All Going to the World’s Fair,” directed by Jane Schoenbrun, is a dizzying, slow-paced horror that uses the language of internet urban legend as a springboard to showcase the supreme loneliness of adolescence. Released April 15, the film follows the reclusive Casey (Anna Cobb) after she embarks in an internet horror game called the “World’s Fair Challenge” and her subsequent mental decline. Clocking in just under 90 minutes, “We’re All Going to the World’s Fair” completely defied my expectations of the formulaic and tried found-footage genre (although, to be fair, this film cannot be neatly classified as found-footage) and showcased the versatility of a genre I previously thought to be a one-trick pony.
The transit of several key planets into Aries this month — Jupiter, Venus and Mars — will precipitate a wealth of ideas and physical blessings. The sun remaining steadfast in Taurus until the end of the month should give flashes of inspiration some staying power, as Aries isn’t known for its follow-through. A Mercury retrograde will begin in Gemini on May 10, adding fuel to the Aries fire burning in the heavens. Beware of backwards movement, like reverting to old habits and communicating with those you’ve left behind. The reckless Ram running rampant across the sky will make this difficult. How will you manage? Read on for more specific advice.
As I took my seat in a dimly lit theater on Friday, April 22, I thought my anticipation for acclaimed writer and director Robert Eggers’ latest work couldn’t be any higher. After having to sit through a series of previews that was almost entirely made up of sequels, though, an unflinching, brutal and thoroughly original $90 million Viking spectacle sounded like just the right type of medicine for my blockbuster blues. Of course, that isn’t to say that the only thing going for this film was its refreshing originality; given my utter adoration for Eggers’ past work with “The Witch” and “The Lighthouse” in tandem with an absolute beast of a cast (most of which have appeared in Eggers’ previous work)
On top of the extraordinary mental and physical changes one faces after having a baby, one thing that shouldn’t have to change is one’s health care coverage. Fortunately, new mothers who qualify now have a full year of postpartum Medicaid coverage in New Mexico so they can focus on what really matters: taking care of their babies and their own health concerns. After all, nothing is more foundational for our next generation than the well-being of mothers and infants. Before this past legislative session, people who enrolled in Medicaid for pregnancy- and birth-related care received just two months of postpartum Medicaid coverage.
This review contains spoilers “Fantastic Beasts: The Secrets of Dumbledore” exceeded my very low expectations but only marginally. The film was enjoyable but could have been a lot better, especially in comparison to its predecessors. While I could never really dislike a movie that dives back into the Wizarding World (I’ve adored the Harry Potter franchise since I was little), author J.K. Rowling is less than likeable and has opinions on matters outside her series are starkly different from mine. The first five minutes of the movie surprisingly hooked me and managed to leave me teary-eyed. It began with the assembly of a team in a fashion akin to that of a heist movie.
Kate Gale’s “The Loneliest Girl,” published earlier this year by the University of New Mexico Press, is a book of poems that address sexual violence and the interactions that enforce and encourage it. Gale adds softness and depth to the well-known myth of Medusa — the Gorgon who was transformed into a monster through a rape by Poseidon — rendering her as a vulnerable woman seeking healing. The best works in this collection are the short and sensory pieces, like “Medusa’s Cookbook,” which includes lines such as “cloves — an unopened flower bud/cinnamon — a spiraled brown quill.” These poems flesh out Medusa’s physical world, removing the mythic and aligning us with her as an individual.
I am a graduate student teacher. My name is Penelope, but the University of New Mexico seems to prefer my deadname. I transitioned early in 2021. I began teaching in the fall and it was important to me that I teach with my true name because teaching is deeply important to my self-understanding. It was so important, in fact, that I accelerated my transition to that end: I came out to my department and the school before my parents or many of my close friends. I think it can be hard for others to imagine how alienating it is for strangers to know your name before your loved ones.
This review contains spoilers Hulu’s critically acclaimed miniseries “The Dropout,” which chronicles the rise and fall of Theranos founder Elizabeth Holmes, is a scathing adaptation of the eponymous podcast. An incredibly gripping take on a true story and top tier performances from Amanda Seyfried and Naveen Andrews make “The Dropout” one of the best shows of the year thus far. Theranos was founded by Holmes in 2003 after she dropped out of Stanford University. By 2013, the company — which claimed to run hundreds of blood tests on only a few drops of blood — was valued at $9 billion.
While Marvel might be the predominant figure in the Hollywood sphere in terms of multiversal moviemaking, the concept doesn’t belong solely to them. Enter A24 and “Everything Everywhere All at Once,” the latest effort from directing duo Daniel Kwan and Daniel Scheinert, credited and more commonly referred to as Daniels, that’s just as large-scale and multidimensional as it is small-scale and heartfelt. I must admit that the trailers for the film made me skeptical. The googly eye jokes, people having hot dogs for fingers and a whole slew of other millennial-askew jokes made me more than doubtful of Daniels’ ability to follow up their charming and unique feature film debut “Swiss Army Man.”
This review contains spoilers After scrounging up crumbs for positive representation, David Jenkins’ new series “Our Flag Means Death” on HBO Max shows what a queer rom-com set on the high seas during the golden age of piracy would look like. The 10-episode series dropped the first three 30-minute episodes on March 3, but it wasn’t until after the finale aired on March 24 that I even heard about the show due to HBO’s obscene lack of marketing. After being bombarded with people on my social media singing the sea shanty praises of the show, I queued it up and couldn’t help but consume it all within a day.
As we remain in the weeds of a strenuous spring semester, we all may be searching for some ways to unwind and kick back. Given that this April brought with it the legalization of recreational cannabis sales in New Mexico and the 4/20 holiday, taking a load off and relaxing might become even easier. Here, three Daily Lobo editors have compiled their top picks for chill movies to watch when you’re looking for a way to just sit down and unwind. Joseph’s Pick: “The Endless Summer” (1966) directed by Bruce Brown
It never fails to surprise me how much New Mexico and Texas, two states that share a border, differ in their views when it comes to marijuana. New Mexico made cannabis legal for recreational use as of June 29, and recreational sales began April 1. In contrast, cannabis is still illegal in Texas except for a small list of medical reasons and anything that doesn’t need to be smoked. I originally hail from ye olde Texas and moved here for university (go Lobos), where I witnessed a stark difference in the attitude toward cannabis. Cannabis is not something one just saw someone smoking on the street (although that’s still technically illegal in New Mexico).
Whether you’re watching high or sober, Richard Linklater’s iconic 1993 movie “Dazed and Confused” hits all the right notes. This coming-of-age masterpiece features themes of rebellion and lasting friendship all overlaid with — you guessed it — some very potent marijuana imagery. Almost 30 years on, “Dazed and Confused” feels as fresh as ever with a killer soundtrack and marvelously endearing characters. While critically acclaimed, “Dazed and Confused” was a box office failure, earning $7.9 million worldwide, a number that’s barely above the film’s $6.9 million budget. However, it has gained and maintained a steady cult following, cementing it as quintessential viewing for anyone who has ever tried growing up.
This review contains spoilers for episode 1 of “Moon Knight” and the “Moon Knight” comic books Since the show’s announcement in 2019 and following confirmation of Oscar Isaac’s casting in May 2021, anticipation for the Disney+ series “Moon Knight” has been steadily building for quite some time now. Personally, Moon Knight is my favorite comic book character and Isaac’s casting as well as the addition of Ethan Hawke as the villain sounded like a dream come true. After watching the premiere, though, I’m not sure that dream turned into reality. The series premiere introduced us to Isaac’s Steven Grant, a museum gift shop working, friendless loner who longs to be anywhere other than where he is.
While I was thrilled that Pixar finally returned to making movies with more than one word in the title, I didn’t have much hope for “Turning Red” originally. After all, it’s hard to compete with the classics of the aughts. Despite this, I realized that the film actually leans into the viewer’s nostalgia to soothe the older viewer and draw them into the plot. I immediately enjoyed the setting, color scheme and animation of the movie. The protagonist, spunky Chinese Canadian Mei Lee, isn’t that awkward blend of hyperrealistic and cartoonish character design seen in films like “Encanto” and “Frozen.”