REVIEW: ‘Candyman’ (2021) shows the horrors of gentrification
John Scott | August 31This review contains spoilers If you asked any filmmaker working in Hollywood right now, regardless of talent or experience, if they would want to remake 1992’s “Candyman,” the general consensus would probably be a resounding, “No, the original was already so good; how could I even come close to approaching that?” Enter director and co-writer Nia DaCosta, who boldly takes on the challenge of re-imagining one of the most iconic ‘90s horror films and overall one of the most iconic horror films of all time; DaCosta steps up to the plate with an immense respect for the genre and a whole load of creativity.




















