Dear President Stokes, Provost Holloway and Regents of the University of New Mexico, The omicron variant of SARS-COV-2, the virus causing COVID-19, has caused a surge of cases several times higher than ever seen before during the ongoing pandemic. This has severely impacted our community by placing an enormous burden on healthcare facilities including the University hospital where some of our members work and have clinical placements. Additionally, a large number of students and employees are currently unable to participate in regular activities due to infection. We insist that UNM act to protect graduate workers and other employees of the University as well as the students that we teach.
This review contains spoilers “The Fallout,” the feature directorial debut of seasoned actress Megan Park, premiered at last year’s South by Southwest film festival to critical acclaim. Jan. 27 saw the film’s release to wider audiences through HBO Max, and while the story minorly lacks some character development, Jenna Ortega’s compelling performance as high school student Vada lets “The Fallout” beautifully tackle trauma in the face of tragedy. The film centers on tomboy Vada and resident influencer Mia’s (Maddie Ziegler) journey through the aftermath of surviving a school shooting after the two hid together in a bathroom stall during the gunman’s spree.
Mitski’s sixth studio album “Laurel Hell,” released on Saturday, Feb. 4, is a distant, synthy opus that looms over its listener, leaving behind an unshakeable lingering dread. It is Mitski to the highest degree. Coming out of a nearly three-year hiatus originally intended to be a permanent departure from music, this album is about Mitski’s tumultuous, fraught relationship with her own career. As a long-time fan, it’s completely heart-shattering to listen to. It’s tinged with regret, or perhaps total ambivalence, to the fame she’s garnered through her work. One of the most effective tracks for me was “Valentine, Texas.” It starts off gently before suddenly erupting into rapturous instrumentals, similar to the opening tracks of “Texas Reznikoff” and “Geyser.”
Rebecca Hall’s directorial debut “Passing” deftly explores the ways in which we craft beauty out of race, class, gender expectations and the innermost desires that bubble beneath the surface within us all. Released on Netflix on Oct. 27, “Passing” is based on a Nella Larson novel of the same name which follows Irene (Tessa Thompson) and Clare (Ruth Negga), two Black women in 1920s New York who are able to “pass” as white. Irene lives her life as a Black woman, while Clare is married with a child to a white, virulent racist who is unaware of her true heritage.
It is urgent that the legislature and Governor Lujan Grisham enact House Bill 132 (Rep. Herrera, Speaker Egolf, and Rep. Garratt) during the 2022 session to reduce the maximum annual interest rate on small loans from 175%, one of the highest rates in the nation, to 36%. This issue is personal to us, as the burden of predatory lending does not fall evenly on all New Mexicans. Even though Native lands make up less than 10% of the state’s geography, 64% of predatory lenders in New Mexico operate within 15 miles of our reservation communities. It is our families, friends and neighbors who get caught in the cycle of insurmountable debt created by the high interest structure of predatory loans.
“Paris is Burning” was a landmark film upon its release in 1990 and, to this day, remains one of the finest and most celebrated examples of LGBTQ+ cinema. Its impact on filmmaking has been widespread and actually served as direct inspiration for the hit FX show “Pose,” on which “Paris is Burning” director Jennie Livingston served as a producer. It’s not hard to see why the film has had such a large-scale impact. Setting aside the visual and technical aspects, the film captures a community that has historically been underrepresented within film and approaches its subject with grace and sympathy. It’s distinctly human and fantastically fun to watch.
Body modifications have become increasingly common and acceptable in the past decade, but tattoos still remain a polarizing subject. I used to be someone who never wanted a tattoo and was positive I’d never get one. Then, last summer, I had a sudden urge to get one, and two weeks later, I had sizable ink on my thigh that has no special meaning or reason behind it. Growing up, I wasn’t discouraged from tattoos by my parents at all. Since I never showed interest, we never talked about it. When I brought the design I had in mind to them — an Old West style line drawing I found through an online deep dive — they were indifferent, but reminded me that I’d have their support no matter what.
Does pandemic exhaustion have you uninspired? As the new year reins in, it's time for a new you. Get ahead of the trend cycle with our start-of-the-year predictions for the hottest fashion trends. Joseph’s Predictions: Indie sleaze The ten-year fashion cycle has returned yet again — let’s take a quick trip back in time, shall we? Picture this: the year is 2012; you throw on a pair of skinny jeans, black converse, a faded band tee, a plaid overshirt shirt and a scarf, you’re going for a grungy look but not too rough as you want to perfect the careless hipster vibe. This could be you later this year.
Dear President Stokes, Provost Holloway, Dean Coonrod and Regents of the University of New Mexico, As of Jan. 4, the United Graduate Workers of UNM (UGW-UE local 1466) was certified as the first union of graduate employees under the New Mexico Public Employee Bargaining Act. Graduate employees have long provided vital contributions to the teaching and research mission of UNM, yet struggle without adequate pay, healthcare or input in their working conditions. Collectively bargaining with graduate employees strengthens our entire university and the state of New Mexico by providing a quality learning environment for our undergraduate students and allowing researchers to focus on innovation and discovery.
“Macbeth” has been done a thousand times over, both on stage and on film. You may know it for its timeless story of ruthless ambition or you may know it as that Scottish play you had to read for your high school English class. Either way, Shakespeare’s play has had some staying power and “The Tragedy of Macbeth” is only another testament to the English playwright’s genius. The film, having just been released on Apple TV+ on Friday, Jan. 14 after a limited theatrical run, follows — you guessed it — Macbeth and his bloody journey to become king of Scotland prompted by a strange encounter with a trio of witches.
This review contains spoilers Sean Baker’s newest film “Red Rocket” is a solid addition to his catalog of endearing, embodied tributes to the lives of marginalized groups in America. Released for limited theatrical release on Dec. 10, “Red Rocket” tells the story of Mikey, a charming, egoistic former porn star, as he wedges his way back into the home of his estranged wife and proceeds to wreak havoc in such a way that only a cisgender, heterosexual white man who has never been told “no” in his life could ever accomplish. “Red Rocket” follows Mikey (Simon Rex) as he sometimes charms and sometimes weasels his way back into his “old life” in Texas, before he moved to California some years ago.
QUESTION: What are you bringing to the new year? With a new year and new semester often comes new goals, habits and more. However, the Daily Lobo editors are looking back on our past and deciding what we want to keep with us as we move forward. Here’s a glance at some of our favorite things, whether it’s film, television, books or sports, for you to peruse. Megan’s Pick: SHOW: “Star Trek” created by Gene Roddenberry At a time when you often feel like you need an escape, you can find one from the living room of your own home in the “Star Trek” universe.
This review contains spoilers for season one and the first episode of season two After season one was released in 2019 and the COVID-19 pandemic prompted a two-year filming delay of the next season, “Euphoria” returned to HBO with its second season premiere on Jan. 9. While most of the episode felt boring, overproduced and disjointed, it seems to be a setup for a sexy and violent story reminiscent of the show’s critically acclaimed first season. The appeal of “Euphoria” lies in its shocking provocativity, character dimension and humor, making the show more than just your average teen drama.
Even when we’re grateful for something – for example, the jobs and state revenue we get from oil and gas production – that doesn’t mean we should cut ourselves short and ignore our own needs. We deserve to get the best deal we can. But when it comes to oil and natural gas, we’ve settled for a bad deal for a very long time. While families in New Mexico face rising gasoline prices at the pump, oil and natural gas companies are getting the deal of a century. Not only are they cashing in on higher prices, but they pay pennies on the dollar to lease our public lands for development and evade having to pay New Mexicans what we’re rightfully owed in royalties.
Among the sea of Netflix original content, there has been a wide range of movies of varying quality but one of the platform’s last films of 2021, “Don’t Look Up,” was particularly memorable. This fun two-hour cynical comedy asked the question, "What if there was a planet-killing comet on course to destroy Earth?" The film’s response to this question is satirical in its answer with many parallels to politics, the COVID-19 pandemic, celebrity conflicts and other current issues. The plot is simple: a comet is hurling itself toward Earth while Leonardo DiCaprio’s character, Dr. Randall Mindy, and Jennifer Lawrence’s character, Ph.D. candidate student Kate Dibiasky, try to warn the world about the impending doom that awaits everyone in the next six months and 14 days.
For more than 40 years, the University of New Mexico’s north golf course has had another life unrelated to golf. When the sun begins to set, dozens to upwards of a hundred students, faculty and surrounding neighbors converge on the green space to walk their dogs off-leash in the few minutes prior to sunset. Unsurprisingly, this green space has been a treasured oasis in the center of the city. After the flags come down, Burqueños from all over the city and all walks of life access this space to walk, run, play with their children and dogs, and sometimes to just enjoy themselves on the grass while watching the sunset.