review

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A review of a review of ‘The Shining’ from the ‘80s

Addison Fulton | April 28

In July 1980, Daily Lobo reporter Lester Slick published his review of Stanley Kubrick’s “The Shining.” He did not like the movie very much, calling it “spotty” and “so-so.” Now it’s my turn to write for the Lobo. I love “The Shining,” so here’s my critique of his critique. “The Shining” is a psychological horror film about novelist and recovering alcoholic Jack Torrance, who takes a temporary job caring for the Overlook Hotel during its offseason. The hotel is haunted and plagued with a supernatural “shine,” though as Jack descends into madness, no ghost could be more terrifying than him.

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REVIEW: Japanese Breakfast make a triumphant return on ‘For Melancholy Brunettes (& sad women)’

Elijah Ritch | April 25

On March 21, indie-pop band Japanese Breakfast released its fourth album, “For Melancholy Brunettes (& sad women).” The record comes four years after the band’s previous album, “Jubilee,” and lead singer Michelle Zauner’s memoir, “Crying in H Mart.” The lyrics of Japanese Breakfast’s early work, as well as the content of Zauner’s memoir, centered around her grief following the death of her mother. On “For Melancholy Brunettes,” the band’s explorations of sadness are not as grief-centric. Instead, Japanese Breakfast is more concerned with the concept of sadness itself.

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REVIEW: I love Minecraft and I hated ‘A Minecraft Movie’

Addison Fulton | April 14

On April 4, Warner Bros. Studio released “A Minecraft Movie” starring Jack Black. It’s a disaster. Minecraft — the source material for the film — is an open world sandbox game first released in 2011. It became iconic for its unique look: In the world of Minecraft, everything is cubes or blocks. The game has vast functionality, allowing players to build structures, fight monsters, fish and explore caves to mine for ore.

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REVIEW: Please try to enjoy each season equally — ‘Severance’ Season Two does not disappoint

Addison Fulton | April 7

On March 20, Apple TV released the finale episode of Season Two of “Severance,” the hit TV thriller created by Dan Erickson and directed by Ben Stiller. If you wish to keep the final episode mysterious and important, know this: it was excellent. If you wish to know more… Spoilers ahead. “Severance” mostly follows the lives of four employees who work for a company known as Lumon Industries. Their work is so secret that they must all undergo the titular Severance procedure, which splits their consciousness into two parts — an “Innie” who exists only at work, and an “Outie” who lives the rest of their life.

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REVIEW: ‘Invincible’ Season Three finishes strong

Rodney Prunty | March 24

This review contains spoilers. The third season of “Invincible” finished up on March 13. Season Three as a whole is very strong and perfectly builds on the seeds that were planted in Season Two. The main conflict of the season comes between Mark Grayson, aka Invincible, and Cecil Stedman as their moral philosophies clash. This conflict can be seen throughout the entire season, making for great storytelling. A lot of characters get really good development. Mark’s story arc is compelling and helps viewers feel for him. Viewers also get some background on Cecil through a new understanding of why he operates things the way he does.

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REVIEW: Frank’s Famous Chicken & Waffles excels at Buffalo wings

John P. Hefti | March 10

Rather than what you’d expect to find at a Buffalo Wild Wings or Wingstop franchise, Frank’s opts to bread their wings, creating a crunchy texture. The next flavor I tried was Buffalo, and these wings made my entire visit. The sauce was rich and flavorful with the perfect amount of heat. I don’t think I’ve tasted a better Buffalo sauce in my life. After finishing my order of 12 wings, I was in the mood for additional heat. In between the original flavor and Buffalo on the menu was the Nashville Hot rub, so it seemed like a logical decision to order an additional three wings a la carte for $3.75. After a couple bites, I completely wrote off the flavor.

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REVIEW: Lady Gaga returns to her roots on new album ‘MAYHEM’

Elijah Ritch | March 10

On Friday, March 7, Lady Gaga released her seventh studio album “MAYHEM.” The record has been touted as a return to the eccentric, dark-pop sounds of her early work after a decade of experimentation with various other genres, including jazz and country. The album’s lead single “Disease” is a boisterous track with influences from industrial music and EDM. In both its content and mood, the song is reminiscent of Gaga’s 2009 project “The Fame Monster,” with lyrics about healing a wounded lover and a dark, passionate eroticism. Thanks to its frenetic production and Gaga’s unabashed confidence, “Disease” is easily her best lead single since “Born This Way.”

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REVIEW: ‘Hard Truths’ showcases the simultaneous terror and beauty of the modern world

Elijah Ritch | March 5

From Feb. 21-24, Albuquerque’s Guild Cinema showed British director Mike Leigh’s new film “Hard Truths.” The film centers around Pansy, played by Marianne Jean-Baptiste, a middle-aged woman living with unnamed chronic illnesses and grappling with severe agoraphobia. She frequently lashes out ...

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REVIEW: FKA twigs transcends genre conventions with ‘EUSEXUA’

Elijah Ritch | March 2

On Jan. 24, British musician FKA twigs released her third studio album “EUSEXUA.” FKA twigs, aka Tahliah Barnett, is a genre-bending, visionary artist whose work frequently combines electronic music, art pop, R&B and avant-garde styles. She is frequently likened to artists such as Kate Bush and Björk due to her sonic innovation and eccentric visual aesthetic. While there are certainly similarities between them, FKA twigs’ music is like a world of its own — one that is impossible to categorize or compare.

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REVIEW: ‘The hard core of beauty’ — Where ‘The Brutalist’ succeeds and fails

Addison Fulton | February 27

In December 2024, director Brady Corbet released “The Brutalist” to great critical praise. The film follows the fictional story of László Tóth, played by Adrien Brody. László is a talented Jewish Hungarian architect who was forced to flee during World War II. He and his wife are separated, with him making it to the United States while she remains trapped. In America, László struggles with language, antisemitism, xenophobia and culture shock. His talents are eventually recognized by Harrison Lee Van Buren Sr. (Guy Pearce), a Pennsylvania industrialist who hires László to create a community center in honor of his late mother. The project, however, derails — shattering the fragile illusion of the American dream.

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REVIEW: Cons outweigh the pros in Life Is Strange: Double Exposure

Rodney Prunty | February 24

The narrative-based game Life Is Strange: Double Exposure came out on Oct. 29, 2024, and was the sixth installment of the Life Is Strange series. The game was highly anticipated, as it saw the return of the fan-favorite, time-traveling protagonist from the first game, Max Caulfield. This is the first time in the series that a protagonist from a previous game was thrown into the spotlight again. Despite the game looking promising at first, it failed to deliver on the hype and turned out to be a disappointing game.

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REVIEW: Oscar-nominated live-action short films fail to deliver

Elijah Ritch | February 24

On Feb. 19-20, Albuquerque’s Guild Cinema showed the five short films nominated for the Academy Award for Best Live Action Short Film at the 97th Academy Awards. A diverse array of films are nominated in 2025. Out of the five nominees, only one film is primarily in English. The Croatian film “The Man Who Could Not Remain Silent” is a dramatized account of the Štrpci massacre — the abduction from a train and subsequent murder of 18 Bosniak Muslims and one Croat by members of the Serbian military at the height of the Bosnian War. The film focuses on Tomo Buzov, a retired Yugoslav military captain and the one Croat victim of the massacre, who spoke up in defense of the train’s Bosniak passengers.

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REVIEW: 2024 biopic ‘Shirley’ was overlooked

Addison Fulton | February 10

In March 2024, director John Ridley released “Shirley,” a biopic about Shirley Chisholm, the first Black congresswoman and the first Black woman to run for president. It was one of 2024’s quieter releases; it was exclusively in theaters for only a week before it was released on Netflix to lukewarm reviews. This was a bit of a shame. “Shirley” tells an important story that needs to be heard, now perhaps more than ever.

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REVIEW: New documentary ‘Dahomey’ shines a light on the impact of colonialism in Africa

Elijah Ritch | February 10

From Feb. 7-10, Albuquerque’s Guild Cinema screened the new documentary “Dahomey.” Directed by French-Senegalese filmmaker Mati Diop, the film follows the journey of a group of artifacts as they are returned from a French museum to their place of origin — the Republic of Benin in West Africa, where the area comprising the former Kingdom of Dahomey is located. The Kingdom of Dahomey was under French colonial rule from 1894-1960, according to Black History Month 2025. It was during this period that the artifacts in question were looted from Dahomey and taken to France. Prior to their repatriation to Benin, the pieces were on display at the Musée du quai Branly-Jacques Chirac in Paris.

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REVIEW: James Gunn’s “Creature Commandos” brings new life to comic book media

Addison Fulton | February 3

In December 2024, Max released a new DC animated series, “Creature Commandos,” directed by James Gunn. The series is a sequel to Gunn’s 2022 series “Peacemaker” and his 2021 film “The Suicide Squad.” The Suicide Squad, in all its iterations, is a group of high-powered yet apprehended supervillains who assemble to take on high-stakes, covert missions in exchange for time off of their prison sentences. The team is led by Amanda Waller, who implants bombs in the brains of the team members that will detonate if they disobey. In “Creature Commandos,” Waller is no longer allowed to put bombs in human brains or force them to go on dangerous missions. However, nothing prevents her from using nonhuman entities.

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REVIEW: Ethel Cain confronts listeners with the grotesque on ‘Perverts’

Elijah Ritch | January 20

On Jan. 8, alternative musician Ethel Cain released her newest project, “Perverts.” This marks her first release since her 2022 debut album “Preacher’s Daughter,” which garnered Cain critical acclaim and a devoted cult following. Ethel Cain, aka Hayden Anhedönia, is also a character and the protagonist of much of the artist’s discography. Her work encompasses a wide range of genres and styles, from Springsteen-esque heartland rock to haunting, epic ballads. Cain frequently explores themes like generational trauma, religious indoctrination — particularly growing up Queer in an evangelical Christian community — and sexual violence. After the release of her debut album, Cain “wrote on Tumblr about the ‘irony epidemic’ that had turned her dead-serious lyrics about sex, death and the divine into meme fodder,” according to Stereogum.

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REVIEW: 1922 ‘Nosferatu’ out-vampires its remake

Nate Bernard | January 13

Perfect for a dark and stormy night with popcorn and wax vampire fangs — hopefully not at the same time — is the original 1922 “Nosferatu: A Symphony of Horror” directed by F. W. Murnau. The movie bests the 2024 remake “Nosferatu,” directed by Robert Eggers, in every way possible. It’s not even a contest, it’s a bloodbath. While some younger people might only recognize the original Count Orlok — the vampire known as Nosferatu — from the SpongeBob SquarePants episode “Graveyard Shift,” the 1922 Orlok is sure to change that SpongeBob smile to a shriek with his eerie and unsettling presence.

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REVIEW: ‘Wicked’ — A festivating film adaptation

Addison Fulton | January 13

I expected to hate it. In November 2024, Universal Pictures released a new film adaptation of the hit Broadway musical “Wicked,” starring drama actress Cynthia Erivo and pop star Ariana Grande. I thought this was another case of cash-grabbing, stunt-casting and dragging the name of something that I’ve loved since elementary school through the mud. Blessedly, I was completely wrong. The film looks stellar, to begin with. Everything from the costumes to the sets to the CGI animals is full of life. The color pallet is dreamy and vibrant.

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REVIEW: Not the coup of the century — ‘Mufasa’ better, not great

Addison Fulton | January 13

In December 2024, Disney released “Mufasa: The Lion King,” a live-action/photo-realistic CGI prequel to “The Lion King” that follows the origin story of Mufasa, Simba’s father and the first Lion King. The story is framed as a tale that Rafiki, the eclectic mandrill, tells to Kiara, Simba’s daughter. Mufasa — voiced by Aaron Pierre — is a young lion who loses his parents in a flash flood. He nearly drowns but is saved by Taka — voiced by Kelvin Harrison Jr. — a young lion prince who will eventually become Scar. Taka takes in Mufasa as a brother, despite his father’s hatred for strays. Mufasa is raised by the lionesses, learning to track, hunt and fight. Then, the pride is massacred by a pride of white lions led by Kiros, voiced by Mads Mikkelsen.

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REVIEW: PEEKABOO, ‘GNX’

Rodney Prunty | December 9

During the summer, rapper and songwriter Kendrick Lamar had everyone saying “They not like us,” but for the winter season, he has everyone screaming “Mustard.” On Nov. 22, Lamar released “GNX,” his first album since “Mr. Morale & The Big Steppers,” which came out in 2022. The album features a total of 12 songs. This album did not see much promotion, and it seemed to come out of nowhere. The only indication that it would drop occurred when Lamar posted a teaser for the album on Instagram a few minutes before it was released.