‘Men’ is a stunning, hollow exploration of misogyny
Zara Roy | June 6This review contains spoilers Alex Garland’s “Men,” released May 20, is a true feat of style over substance. The film is a tense, visually engaging slow-burn with some astonishing moments of supernatural horror. However, it ultimately falls flat, failing to utilize its lush visual language to portray any new or even remotely engaging thoughts on masculinity or misogyny. “Men” follows Harper (Jessie Buckley), a recently widowed woman who takes a visit to the English countryside to unwind and heal from her husband James’ (Paapa Essiedu) traumatic death. This plan is foiled, however, when Harper is harassed by every man she encounters, and the film begins to unfold the incredibly toxic and abusive relationship she had with James.















