REVIEW: Mitski’s ‘Laurel Hell’ cuts with pure, silver fury
Zara Roy | February 6Mitski’s sixth studio album “Laurel Hell,” released on Saturday, Feb. 4, is a distant, synthy opus that looms over its listener, leaving behind an unshakeable lingering dread. It is Mitski to the highest degree. Coming out of a nearly three-year hiatus originally intended to be a permanent departure from music, this album is about Mitski’s tumultuous, fraught relationship with her own career. As a long-time fan, it’s completely heart-shattering to listen to. It’s tinged with regret, or perhaps total ambivalence, to the fame she’s garnered through her work. One of the most effective tracks for me was “Valentine, Texas.” It starts off gently before suddenly erupting into rapturous instrumentals, similar to the opening tracks of “Texas Reznikoff” and “Geyser.”















